Deerskin by Robin McKinley

This post is likely to make you drown your sorrows in drink. It sure did for me. And it’s been the SECOND time I’m reading this!

Deerskin – Fableulous Retellings

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Season 3: Donkeyskin!

Here be incest! Okay I probably should have been talking about other things, like how pretty the sky, sun, and starry dresses were and how this fairy tale isn’t even half as bad as its historical counterpart. But seriously, though, people are just messed up. So listen to Meg and me talk about it!

Fableulous Retellings Podcast

Marilag and Meghan are back to discuss a disturbing and almost nauseating French fairy tale: Donkeyskin by Charles Perrault. Mari discusses the true story the fairy tale is perhaps based on, and Meghan keeps her head in her hands as she tries to figure out the moral of the story. They discuss the alternate versions of the story (Grimm Brothers) and realize they’ll probably need alcohol this season to deal with awful fathers and douchebag princes.

Warnings ahead: we have some incestuous relationships this season OH GOD.

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Join us every Tuesday for a new episode!

Thank you toBenSoundfor our theme music andVidaLovesCakefor our artwork!

Check out this episode!

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Season 4: Which Retelling Next?

We’re looking for your input! Again, it’s about time that we’re finishing up a season and gearing for the next, so while Meg and I are putting together our Donkeyskin retellings, we’d love it if you go and vote for our next podcast retelling. Please and thank you and I will hopefully be back next post with a review or two!

Fableulous Retellings Podcast

Before we get into the nitty gritty of polling, we just wanted to announce the winning fairy tale to be retold in the last poll: Donkeyskin! Yep, with your help, we now know what to talk about for our third season.

That being said, we are also sending out some invites! Want to chat with us about Donkeyskin retellings? Let us know! This fairy tale is a personal favorite of mine, but that’s probably because deep down I have a sick and twisty soul with a penchant around sick and twisty tales. In any case, there’s going to be lots of fun discussing the issues to be had in this fairy tale. There’s still a couple weeks left before Season 2 comes to a close, so do let us know if you’re willing to make a guest appearance on our fableulous podcast!

Alright, now that we’ve finally locked down…

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Fables by Bill Willingham: A Series Overview

It’s difficult saying goodbye to a series you’ve been off and on reading for years at a time. It’s going on a journey with a cast of characters you’ve loved and then being told you’ve got to go back to work in the real world, thankyouverymuch (which, to be honest, is my general outlook in life, hah!). Fables was pretty much that journey, and it was sad to see the series actually, truly “end.”

To preface: this isn’t a typical review. I’ve finished 150 issues in 22 volumes, spanning thousands of dialogue and illustrations, panels and pages, and I’m finding it impossible to judge a series by its final volume. Farewell does a good job tying some loose ends, but leaves many things to the imagination, and encompassed several problematic elements that deterred it from being the penultimate volume of Fables volumes. But I’ll get to that in a bit.

There’s an actual key within the foldout that tells you who each Fable is on this cover. It’s magnificent in scope.

Those who haven’t read Fables and are interested in delving into fractured fairy tales and modern retellings should really give this Willingham series a try. I must have pushed this series to a number of my reader friends (and my not-so-reader sister and best friend) because at the time I was:

  • A) in a Vertigo Comics reading spree (owing to my love of Sandman by Neil Gaiman) and
  • B) always on the lookout for fairy tale comics.

Zenescope’s Grimm Fairy Tales piqued my interest in artwork, but it was Willingham’s Fables that had the staying power when it came to its characters and story.

The Fables series follows the story of the Fable community, a group of fairy tale, folktale, legendary, and mythological characters and their struggles to live in the Mundy (mundane, magic-less) world. After their defeat against the infamous Adversary, most of the Fable worlds have been subsumed into the Adversary’s empire, and many are forced to retreat to the mundane world of Manhattan and its surrounding areas. The first volume title, Legends in Exile–as well as the first cover, an illustration of Fables characters running and cramming themselves into Manhattan’s subway train–pretty much gives an accurate portrayal of how they’ve been living for hundreds of years.

In Legends in Exile, we encounter the prominent figures of Fabletown, and interestingly enough, the story begins with Snow White and Rose Red. I point this out because Willingham returns to the rivalry between the two sisters one final time in Farewell, and it becomes a rivalry of epic proportions. To be honest, this wasn’t the bit that endeared me to the series.

It was this particular panel that did.

I adore Bigby Wolf, and the fact that much of the first half of the series pits Bigby as a prominent character–and important member of Fabletown–is most definitely why I kept reading. Ever since my entry into urban fantasy and the were-creatures that litter the genre’s pages, I’ve always kept a fondness for werewolves, and Bigby is not only THE Big Bad Wolf of stories, but he’s a REFORMED Big Bad Wolf. By this point in the Fables series, he’d even been appointed as the Fables’ town sheriff, a character you would not have typically visualized as someone who would uphold the law.

But Bigby does in his own way, and it is easy to see later on why.

Um. I totally ship it.

The first volume did its job introducing a colorful cast, but it was Vol. 2, Animal Farm, and Vol. 3, Storybook Love, that cemented my love for the series. By the end of Vol. 11, War and Pieces, I thought this series was the bees’ knees. And it continued to be, though to be honest, once the Adversary Arc came to a resolution, nothing came quite close to the magic that the first 11 volumes held in their pages.

The series comprises of a few major storylines:

The Adversary (Vols. 1-11) – Wherein the Fables community try to find a life within the Mundy world, at the same time that many of them attempt to retake their Homeworlds from their enemies. Pretty epic stuff, especially considering who the Adversary is revealed to be, and how each of the Fables characters played a part in taking the evil kneevil down.

Mister Dark (Vols. 12-17) – After the fall of the Adversary, a new villain comes into town in the hopes of wreaking destruction to a newly-recovering Fable community. This arc was difficult to get through because the antagonists were arbitrary and highly annoying, but the arc also gave us Ghost, the North Wind, and Frau Totenkinder, and they are worth the waste of space that is Mister Dark.

The Werewolf Cubs (Vol. 18) – A prophecy comes to light upon the birth of Bigby’s seven children, and each are tied to their fates. This includes the spinoff volume Werewolves of the Heartland, which I considered as part of Vol. 18, to be honest.

Snow White and Rose Red (Vols. 19-22) – The finale pits us back to the rivalry between the two sisters and a curse revealed that explains it all. Or, well, tries to explain it all. It failed in my book, but Vol. 19, Snow White was well worth the read because it pretty much delves into Snow’s past and shines a light to how truly badass she is (although, if I’m going to be honest, I totally skipped everything about the damn flying monkey). Vol. 20, Camelot, follows in Snow’s wake by highlighting her sister Rose Red, and it is still one of my favorite covers in the series, even though Rose Red is quite possibly my least favorite lead.

I mean…taking on a fantastic swordsman one-handed? How is that NOT badass?!

But as far as it ended? I’m of two minds on that. In some ways, I appreciated Willingham trying to tie in loose ends in Farewell. It was a better volume than what came before, but it was also a bit of an anticlimactic disappointment. It also begged the question of “Who can truly come back to life?” Early on, it was established that the more famous Fables are able to return from death because hell, they are legendary in the mundy world. But then by the end of the series, even the popular fables don’t come back, and yet…some of the not-so-famous do. It bothered me to no end, almost as much as Rose Red’s lack of character development did.

In fact, if it weren’t for this magnificent four-panel foldout, I wouldn’t have rated Farewell as high as I did.

That all said, I’d still highly recommend this series. Heck, I’d highly recommend its spinoffs, too, especially Fairest and Telltale Games’ A Wolf Among Us (which also has a graphic novelization out). I wouldn’t so far as recommend the Jack of Fables spinoff, mostly because I effing HATED Jack and his Literal friends (and gods, AVOID Vol. 13: The Great Fables Crossover if you can, it really doesn’t add shmat to the story), but hey, who knows, it is probably enjoyable to others.

Alright, there. I’m done tooting the Fables horn.

Have you read the series? What did you think?

Season 2, Episode 2: The Wrath and the Dawn by Renee Ahdieh

Because here we ask the important questions! Like “What Turkish and Moroccan place do we hit up next?” and “Do taking archery lessons really make you look sexy?”

If you have answers to these questions, we totally welcome them!

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